extrapole is a transnational interdisciplinary cooperation space dedicated to artists, amateurs of art, cultural actor.trice.s, researchers and the curious.
extrapole in a few words :
Partnership with Kdac.
As part of its collaboration with the Kdac, extrapole is carrying out a research project on art and vulnerability.
It is being conducted jointly by Agnès Henry, Claire Moryang, Isabelle GInot (Université Paris 8/ A.I.M. E), Claire Sung (PD), Jaeri Kim (Playwright) Kyung Ae Ro (Choreographer) Laumkon (Jee Song, Qrator) Seunghyun Moon (Artist), Yoonjung Lee (Choreographer), Myungjin Huh (Dance Critic) Eunsook Jo (Assistant to Seunghyun Moon), Sehyung Oh (KDAC), Yusung Lee (KDAC), Yoonsook Yi (Staffseoul), Yoojin Na (Staffseoul) Younglim Kim (Staffseoul).
The first seminar was held in Seoul in 2023.
extrapole plans to present the arts and vulnerability research project on 11 and 12 September 2024 at the Modu Theater in Seoul.
BIENVENUE
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Partnership with Kdac.
As part of its collaboration with the Kdac, extrapole ensures French and European theater programming and a research project on art and vulnerability carried out in concert with Agnès Henry and Isabelle Ginot (Université Paris 8/ AIME), Claire Mooryang Sung and the Staff Seoul team.
Modu Theater in Seoul:
A theatrical facility designed to improve movement for people with reduced mobility both in the auditorium and on stage.
Autumn programme at the Modu Theater in Seoul, extrapole invites :
In October 2024, we will be presenting Forme(s) de vie by artist Éric Minh Cuong Castaing and his company Shonen.
In October 2024 we invite the artist Eszter Salamon with her piece MONUMENT 0.7: M/OTHERS (2019) performed with Erzsébet Gyarmati.
In November 2024, we invite 3 pieces by the artist Chiara Bersani :
Sottobosco - Her last piece created in 2022 / 23
Gentle Unicorn - Her manifesto piece created in 2019
Animale - This piece is part of a commission Swans never die , a project by Lavanderia a Vapore - Centro di Residenza per la Danza Piemonte dal Vivo - in which the artist explores the figure and death of the black swan.
Writing gesture from our contributors:
Sarah Di Bella is a performance historian and dramaturg. After a trans-European university education (Paris - Bologna - Copenhagen), she taught at several universities in France from 2008 to 2019. She defends the dramaturg's role as mediator not only within a team but also between several creations, just as she fights for the establishment and promotion of cooperative research-action systems for creation in the performing arts. She regularly publishes in the journal Théâtre/Public.
Writing gesture centred on the play
Zone de timidité by Maria Donata d'Urso
Born of a radical imagination, Zone de timidité is one of those narrative forms that touches on an invisible and painful knot, while pointing to possible ways out of a production system that we are too often presented with (and represent to ourselves) as inescapable.
In December 2023, playwright, art historian and extrapole contributor Sarah Di Bella published an article in issue 12 of the journal Interfaces numériques on the work of artist Maria Donata D'Urso.
Her article is entitled "Zone de timidité de Maria Donata d'Urso - Une création au risque du vivant".
Notes on figuration and figural from an interview with the artist".
You can read it here
Partnership with Kdac.
As part of its collaboration with the Kdac, extrapole ensures French and European theater programming and a research project on art and vulnerability carried out in concert with Agnès Henry and Isabelle Ginot (Université Paris 8/ AIME), Claire Mooryang Sung and the Staff Seoul team.
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On 29 February and 30 March 2024, as part of the Modu Theater's programme in Seoul, we are once again inviting the CNCA team and the Catalyse troupe for two performances of Gulliver, le dernier voyage, directed by Madeleine Louarn and Jean-François Auguste.
There will also be workshops and a documentary screening.
Based on the novel Gulliver's Travels by Jonathan Swift, this play depicts the absurdities of modern society, politics, ethics and more, in an amusing but profound way. The project brings together seven actors with disabilities and two directors from the Catalyse company, associated with the Centre National pour la Création Adaptée.
This documentary was commissioned from extrapole by the CNCA, Centre National de Création Adaptée in Morlaix.
The film was written by Agnès Henry, directed by Louis Pierre-Lacouture and edited by Aloyse Leledy.
extrapolate and theKdac have entered into a partnership with theNational Center for Adapted Creation in Morlaix in 2021 what was the subject of a creation – a video vignette able to present the approach of the company Catalyse, at the initiative of the creation of the CNCA.
The desire is to present to a foreign public or one unfamiliar with the French institutional system the functioning that allowed the birth of a space for stage creation adapted to people with disabilities and abundant talents.
As a result of this initiative in 2022, the CNCA commissioned a larger documentary film to be extrapolated, financed largely by the ONDA (national artistic diffusion office/ MCC) as part of the Ecran vivant system) which enabled the production of My feet are trunks.
This 2014 show, performed by David Mambouch, is a blend of physical expression and gestural research, expressing the French choreographer's most experimental style and moving beyond the boundaries of dance towards a micro-sociology of gesture.
Each face, whether anonymous or recognisable, will be given a body, a body that may or may not capture our attention.
This gives us the opportunity to listen to and observe what these bodies are telling us - or not telling us. Faces, bodies, gestures, each carries with it a world, a universe, one or more eras with multiple and evocative frames of reference, pointing us back to the plurality of our perceptions.
Dates at the Théâtre des Célestins en 2025 - 7 performances at the Salle Célestine
tues. 20 may 20:30
wedn. 21 may 20:30
thurs. 22 may 20:00
frid. 23 may 20:30
sat. 24 may 20:30
tues. 27 may 20:30
wedn. 28 may 20:30
mon. 26 may off
tues. 27 may 20:30
wedn. 28 may 20:30
